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The stage is set for the next major dysphoria: the midlife crisis.
This, essentially, is a crisis of reckoning, of inventory taking, a disillusionment, the realization of one's mortality. We look back to find how little we had accomplished, how short the time we have left, how unrealistic our expectations have been, how alienated we have become, how ill-equipped we are to cope, and how irrelevant and unhelpful our marriages are.
To the disenchanted midlifer, his life is a fake, a Potemkin village, a facade behind which rot and corruption have consumed his vitality. This seems to be the last chance to recover lost ground, to strike one more time. Invigorated by other people's youth (a young lover, one's students or colleagues, one's own children), one tries to recreate one's life in a vain attempt to make amends, and to avoid the same mistakes.
This crisis is exacerbated by the "empty nest" syndrome (as children grow up and leave the parents' home). A major topic of consensus and a catalyst of interaction thus disappears. The vacuity of the relationship engendered by the termites of a thousand marital discords is revealed.
This hollowness can be filled with empathy and mutual support. It rarely is, however. Most couples discover that they lost faith in their powers of rejuvenation and that their togetherness is buried under a mountain of grudges, regrets and sorrows.
They both want out. And out they go. The majority of those who do remain married, revert to cohabitation rather than to love, to co-existence rather to experimentation, to arrangements of convenience rather to an emotional revival. It is a sad sight. As biological decay sets in, the couple heads into the ultimate dysphoria: ageing and death.
next: The Iron Mask The Common Sources of Personality Disorders
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