The Effects of Diseases, Drugs, and Chemicals on the Creativity and Productivity of Famous Sculptors, Classic Painters, Classic Music Composers, and Authors
Continued
VINCENT VAN GOGH (1853–1890)
The Chemistry of His Yellow Vision
The color yellow fascinated the Dutch postimpressionist painter, Vincent
van Gogh, in the last years of his life. His house was entirely yellow. He
wrote How Beautiful Yellow Is, and all of his paintings in these years were
dominated by yellow. Van Gogh's preference for the color yellow may have
been that he simply liked the color (Figure 6 ). However, 2 speculations
exist that his yellow vision was caused by overmedication with digitalis or
excessive ingestion of the liqueur absinthe. The drink contains the chemical thujone. Distilled from plants such as wormwood, thujone poisons the nervous
system. The chemistry of the effect of digitalis and thujone resulting in
yellow vision has been identified. It also should be noted, prior to the
discussion of van Gogh's yellow vision, that many clinicians have reviewed
the medical and psychiatric problems of the painter posthumously, diagnosing
him with a range of disorders, including epilepsy, schizophrenia, digitalis
and absinthe poisoning, manic-depressive psychosis, acute intermittent porphyria, and Ménière disease. Psychiatrist Kay R. Jamison, PhD, believes
that van Gogh's symptoms, the natural course of his illness, and his family
psychiatric history strongly indicate manic-depressive illness. It is also
possible that he suffered from both epilepsy and manic-depressive illness.9
If lithium carbonate had been available in the 19th century, it might have
helped Van Gogh.
The Effect of Digoxin on the Retina and the Nervous System, Resulting in
Yellow Vision
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Click to enlarge

Figure 6.Van Gogh's painting of a Chair and Pipe. This painting
emphasizes Van Gogh's preference for the color yellow. Vincent van
Gogh (1853–1890). Vincent's Chair, 1888–1889. Oil on canvas. Located
at the National Gallery, London, Great Britain. Photo credit: Erich
Lessing, Art Resource, New York, NY |
In 1785, William Withering observed that objects appeared yellow or green
when foxglove was given therapeutically in large and repeated doses.10 Since
1925, various physicians, including Jackson,11 Sprague,12 and White,13
quoting Cushny, professor of pharmacology at the University of Edinburgh,
have noted that patients overmedicated with digitalis develop yellow vision.
According to Cushny, “All colors may be shaded with yellow or rings of light
may be present.”
It has been established that van Gogh suffered from epilepsy, for which
he was treated with digitalis, as was often the case in the late 19th
century.14 Barton and Castle15 stated that Parkinson recommended a trial use
of digitalis in epileptics. Digitalis may have been used to relieve his
epilepsy. Physicians are more likely to consider a diagnosis of digoxin
toxicity if a history of xanthopsia (yellow vision) is elicited, this being
the symptom best known to physicians.16
William Withering described many of the toxic effects of the cardiac
glycosides in his classic treatise on foxglove in 1785: “The foxglove when
given in very large and quickly repeated doses, occasions sickness,
vomiting, purging, giddiness, confused vision, objects appearing green or
yellow; … syncope, death.” Since 1925, numerous studies have described the
visual symptoms and attempted to identify the site of visual toxicity in
digitalis intoxication.
The site of toxicity responsible for the visual symptoms has been debated
for decades. Langdon and Mulberger17 and Carroll18 thought that the visual
symptoms originated in the visual cortex. Weiss19 believed that xanthopsia
was due to brainstem dysfunction. Demonstration of cellular alterations in
the cerebral cortex and spinal cord of cats after administration of toxic
doses of digitalis support the central dysfunction theory.
For many years, most investigators thought that the most likely site of
damage in digitalis intoxication was the optic nerve. More recent
investigations, however, have identified significant retinal dysfunction in
digitalis toxicity and have shed some doubt on the older hypotheses.20
Support for a retinal site of toxicity has been provided by studies that
have shown much higher accumulations of digoxin in the retina than in other
tissues, including the optic nerve and brain.21 Digoxin toxicity might
involve inhibition of sodium-potassium–activated adenosine triphosphatase,
which has been identified in high concentration in the outer segments of the
rods; inhibition of the enzyme could impair photoreceptor repolarization.22 Lissner and colleagues,23 however, found the greatest uptake of digoxin in
the inner retinal layers, particularly in the ganglion cell layer, with
little uptake in photoreceptors.
Another possible explanation for van Gogh's xanthopsia was his excessive
ingestion of absinthe.24 Van Gogh's taste for absinthe (a liqueur) may have
also influenced his style of painting. The drink's effect comes from the
chemical thujone.25 Distilled from plants such as wormwood, thujone poisons
the nervous system. Van Gogh had a
pica (or hunger) for unnatural “foods,”
craving the entire class of fragrant but dangerous chemicals called terpenes, including thujone. As van Gogh recovered from cutting off his ear,
he wrote to his brother: “I fight this insomnia with a very, very strong
dose of camphor in my pillow and mattress, and if ever you can't sleep, I
recommend this to you.” Camphor is a terpene known to cause convulsions in
animals when inhaled. Van Gogh had at least 4 such fits in his last 18
months of life.
Van Gogh's friend and fellow artist Paul Signac described an evening in
1889 when he had to restrain the painter from drinking turpentine. The
solvent contains a terpene distilled from the sap of pines and firs. Van
Gogh tried more than once to eat his paints, which contained terpenes as
well. Signac also wrote that van Gogh, returning after spending the whole
day in the torrid heat, would take his seat on the terrace of a cafe, with
the absinthe and brandies following each other in quick succession.
Toulouse-Lautrec drank absinthe from a hollowed walking stick. Degas
immortalized absinthe in his bleary-eyed painting, Absinthe Drinker. Van
Gogh nursed a disturbed mind on the aquamarine liqueur, which may have
encouraged him to amputate his ear.
Absinthe is about 75% alcohol and has about twice the alcoholic volume of
vodka. It is made from the wormwood plant, which is reputed to have a
hallucinogenic effect, and is flavored with a blend of anise, angelica root,
and other aromatics.
The chemical mechanism of α-thujone (the active component of absinthe) in
neurotoxicity has been elucidated with identification of its major
metabolites and their role in the poisoning process.26 α-Thujone has a sort
of double-negative effect on the brain. It blocks a receptor known as
γ-aminobutyric acid–A (GABA-A), which has also been linked to a form of
epilepsy. Under normal conditions, GABA-A inhibits the firing of brain cells
by regulating the flux of chloride ions. By essentially blocking the
blocker, thujone allows the brain cells to fire at will. α-Thujone acts at
the noncompetitive blocker site of the GABA-A receptor and is rapidly
detoxified, thereby providing a reasonable explanation for some of the
actions of absinthe other than those caused by ethanol and allowing more
meaningful evaluation of risks involved in the continued use of absinthe and
herbal medicines containing α-thujone. Thus, the secret of absinthe, which
is considered a fuel for creative fire, has been unlocked.
There is an increasing concern about the use of thujone substances with
the rise in popularity of herbal medicines. Wormwood oil, which contains
thujone, is present in some herbal preparations used to treat stomach
disorders and other ailments. (In fact, wormwood, a relative of daisies, got
its name from its use in ancient times as a remedy for intestinal worms.)
Individuals ingesting these preparations have complained of developing
yellow vision.27 Scientific studies of thujone are investigating the active
ingredients in many herbal preparations. Absinthe is still manufactured in
Spain and the Czech Republic. In modern absinthe, alcohol, which makes up
three quarters of the liqueur, may be the most toxic component. It is still
illegal to buy absinthe in the United States, although it can be obtained
through the Internet or when traveling overseas.
Recently, an article entitled “Poison on Line: Acute Renal Failure Caused
by Oil of Wormwood Purchased Through the Internet” was published in the New
England Journal of Medicine.28 In this article, a 31-year-old man was found
at home in an agitated, incoherent, and disoriented state by his father.
Paramedics noted tonic-clonic seizures with decorticate posturing. His
mental status improved after treatment with
haloperidol, and he reported
finding a description of the liqueur absinthe at a site on the World Wide
Web entitled “What is Absinthe?” The patient obtained one of the ingredients
described on the Internet, essential oil of wormwood. The oil was purchased
electronically from a commercial provider of essential oils used in
aromatherapy, a form of alternative medicine. Several hours before becoming
ill, he drank approximately 10 mL of the essential oil, assuming it was
absinthe liqueur. This patient's seizure, probably caused by essential oil
of wormwood, apparently led to rhabdomyolysis and subsequent acute renal
failure.
This case demonstrates the ease of obtaining substances with toxic and
pharmacologic potential electronically and across state lines. Chinese
medicinal herbs, some of which can cause acute renal failure, are easily
procured by means of the Internet. Although absinthe liqueur is illegal in
the United States, its ingredients are readily available. Absinthe is also
currently a popular drink in the bars of Prague, in the Czech Republic. The
essential ingredient in this ancient potion was purchased in this case by
means of up-to-the-minute computer technology.
A modern clinical chemistry and genetics laboratory could possibly have
determined the following in van Gogh's case: (1) serum digitalis
concentration, (2) serum thujone concentration, (3) urine porphobilinogen,
and (4) serum lithium levels. These tests could possibly have confirmed that
van Gogh suffered from chronic digitalis intoxication or intoxication from
thujone related to excessive drinking of the liqueur absinthe. Modern tests
could analyze his urine for the presence of porphobilinogen, which is the
diagnostic test for acute intermittent porphyria, another speculated van
Gogh illness. If Van Gogh had used lithium carbonate for bipolar illness,
serum lithium levels might also have been important to monitor.
Continue to Louis Hector Berlioz and Thomas de
Quincey
references ~ commencement
Last updated: 12/05
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