Good Mood:
The New Psychology
of Overcoming Depression
What
Meditation Does
Exactly what happens to a
person while meditating is
beyond general description, and
varies from person to person.
We can say, however, that in
meditation of all sorts one
does not think in normal
Western everyday ways. Perhaps
the basic difference is that
one ceases to make comparisons
between one's actual and
benchmark- hypothetical
situations. In this manner, the
source of sadness is removed
during meditation. Another
difference is that one ceases
to strive but relaxes instead,
which leads to pleasant
physical sensations
incompatible with sadness.
Furthermore, meditation often
leads to a radically altered
perspective, for example a
cosmic rather than an
individual perspective. Within
such a cosmic perspective the
contemporary events which are
the grist for the mill of
self-comparisons appear
insignificant and unworthy of
attention; this works against
making negative
self-comparisons.
The mechanism that leads to
the state of meditation is a
shift from the active
flight-or-fight survival mode
of thought in which one
classifies and evaluates and
makes comparisons, to the
passive experiential state in
which one simply takes in
sensory experiences without
classifying or evaluating or
comparing them (see page 000
above). In the striving mode
one abstracts a limited set of
elements from the sensory
input, using various
already-established
intellectual patterns; these
abstracted inputs are the
materials which one compares,
and which may lead to negative
self-comparisons. In contrast,
in meditation one makes oneself
aware either of all stimuli or
of just a single element. The
latter is the "one-pointed
mind" of Zen in which,
even outside of meditation
proper, the person is aware -
but fully aware - of the
sensory experience, and is not
"intellectualizing."
When I eat I eat, and when I
sit I just sit, Zen Buddhists
say.
That is, when one meditates,
one's mind and body are mostly off
duty; they no longer are
serving as watchers and
laborers in keeping one alive
in a biological and social
sense; rather, one's body and
mind relax as they surrender
these tasks. The same kind of
effects, though much milder in
intensity, occur when a worker
relaxes on a coffee break, or
when a student leaves off
reading a hard text and
dreamily looks out the window,
or when in the woods one's
attention is absorbed by
nature. Religious services
often produce the same sorts of
feelings with prayers, music,
and beauty of setting; they
take one out of the world of
striving and surviving, into
the world of sensing and
absorbing. Sabbath observers
put themselves "off
duty" for an entire day
(at least those religious
groups for whom the Sabbath is
not a stern ascetic day).
Sometimes people worry that
ceasing to make comparisons
implies quietism and leaving
ordinary life. Indeed, some
depressives avoid the pain of
neg-comps by giving up their
fundamental goals, which leads
them into apathy. But this is
an unlikely occurrence in the
present context of discussion.
During periods of relaxation
from striving -- whether very
deeply with meditation, or less
deeply in religious services or
absorption in nature - the
force that makes for sadness
and depression is absent: One
does not make comparisons - and
especially negative
self-comparisons - when one is
in an experiential mode rather
than in a survival mode.
Even non-theistic people
sometimes arrive at the thought
of God when meditating, because
their experience transcends
everyday concepts. For example,
for me the knowledge that in
meditation I can relax into the
cessation of mental pain and
the existence of physical
pleasure is so wonderful, and
the state itself is so awesome,
that sometimes I refer to this
inner refuge as
"God," though I am
quite without belief in the
usual Judaic-Christian concept
of an active God. (More about
the word "God"
below.)
Meditation also has links to
the making of art. In creative
moments the painter or composer
or poet tends to suspend
willful direction of the mind,
letting thoughts drift as if
they have lives of their own.
But the artist continues to
maintain a general supervisory
control over the thoughts -
like the director of a play who
is out of sight in the wings,
but who is nevertheless keeping
a watchful eye on the stage.
The artist's trick is to exert
that supervisory control
without worrying about it, to
be thinking freely without striving
for that freedom. In the most
successful moments the artist
often feels as if the work gets
done by itself, without effort
by the artist - just as a
skilled athlete sometimes comes
to feel that the game is played
effortlessly, without any
feeling of "trying"
to play well. Athletes call
this feeling "being in the
zone". This is commonly
experienced as a moment of pure
joy.
There is an apparent logical
contradiction between the
artist letting the mind be
totally free, and supervising
the mind at the same time. This
pair of apparent opposites is
"equivalent to the
Buddha's enjoining his
disciples to stop desiring,
which would of course put them
in a state of desiring not to
desire."19 But
"freedom and
"desire" are complex
multi-layered words, and in
fact there need be no
psychological contradiction in
these matters.
There is a crucial
difference between on the one
hand, meditation, and on the
other hand, habit-formation and
count-your- blessings exercises
to combat depression, though
they may seem similar in some
respects. Meditation seems to
produce
increased energy in
some people, whereas counting
your blessings and such
habit-formation devices as
behavior-modification therapy
seem to use up energy in
the exertion of "will
power" to alter one's
behavior. When meditating, you
husband energy because you are
not "trying" to do
anything. It is a state in
which you feel no
"ought," ; you
purposely "let it all hang
out" (really, hang in).
This unusual cessation of
activity for all your striving
and physical mental faculties
produces a sense of deep
restedness afterward.
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