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Telling
Stories
By Tammie Byram Fowles, LISW, Ph.D.
© 1998
continued: page 3
She ventured outside the cottage for only the
second time in the three weeks that she'd been in Hamden. She
vaguely hears voices in the background, and the sound of an engine
running. The sun warms her skin. The air smells of the salty sea and
the breeze blows gently, lifting strands of her hair, as if they
were waving to someone vaguely familiar. She notices someone coming
towards her and quickly shifts direction, moving towards the beach.
Her feet sink and sand creeps into her sandals. She removes them and
heads for the water.
The North Atlantic is frigid, unlike the
gentle waters of the South, and within moments her feet ache
painfully. She's grateful for the distraction. The spasms in her
feet allow her to concentrate for the time being on something other
than the torment in her soul. She shifts her weight from one foot to
the other; they throb in protest, and then eventually grow numb. Why
is it that the relentless ache in her heart refuses to deaden too?
She stands still, closes her eyes, and allows the tide to gently
sway her. She imagines herself lying down, arms spread wide,
floating out and away, and then under. Above her head, a lone
seagull swoops down toward the earth and then back up again, heaven
bound.
She hobbles slowly out of the water and
towards the rocks. The sand begins to warm her frozen feet. She
climbs the rocks and settles into a crevice. Just as she can't
escape her anguish, she's also captured by the beauty before her.
The great, wide, blue-green ocean lies beyond - moving, always
moving, away from and then towards. In the distance stand the
Mountains, sleeping giants that rest solid and still. The seagulls
call out but the mountains remain unmoved. As she gazes at the
water, some small part of her begins to stir, whispering so quietly
and so tentatively that she doesn't hear. Perhaps her ignorance of
the small voice is for the best, for she'd surely silence it…
Two weeks later, she's hiding in her crevice
again, hypnotized by sun and surf. She hears a child singing. She
automatically seeks out the singer, and spies a skinny little girl
in a red and white checkered bikini. The little girl carries a pail
and shovel, her hair is tied back in a ponytail, and she skips, and
then runs, and then skips again along the beach. Up ahead a woman is
walking, her head bent as if she were studying her feet. The little
girl calls out to her, and runs quickly forward. "Wait Mommy!
Wait and see what I found Mommio, Mommio, Mommy!" She yells and
sings at the same time. The woman turns away and keeps walking. The
little girl runs in earnest now, no longer skipping or singing. She
reaches out for her mother as she runs, and stumbles over a small
sand dune. She falls flat on her back, shells tumbling out of her
orange plastic pail. The child begins to cry loudly, the way that
small children do, belting out her pain and grief. The mother looks
back, impatiently walks toward the fallen child, yanks her up by the
arm, and pulls her along. The little girl struggles to stoop down to
retrieve her shells. She's desperate to collect her treasures, but
her mother's in a hurry. The woman easily overpowers the child, and
the sea gifts get left behind. Echo's of the child's grief reaches
out to her.
Virginia feels the all too familiar rage
burning inside of her. She's trembling as she watches the ignorant
bitch haul the vulnerable little girl down the beach. Heart racing,
face hot, fists clenched, she wants to chase them. She wants to rip
the girl from the monster's cruel hands, pound her face, and kick
her in the stomach. She wants to gouge out her eyes and shove her
fist down her throat. She doesn’t deserve to be a mother God
damned it! It's not fair! Virginia wants to destroy her.
She's still shaking as she makes her way down
the rocks and towards the abandoned shells. She stoops to pick them
up, and then pauses to watch the image of mother and child moving
quickly up the path and away from the beach. Her vision is blurred
and she realizes she's crying. She kneels, and begins to sob over
the broken shells - for the little girl, for Cara, for Mark, and for
all of the ugliness in this deceptively beautiful world. She wails,
and moans, and begs God to bring her baby back. She cries until her
shirt is drenched with her tears, and then she collapses, exhausted.
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