Working With
the Body as a Pathway to the Mind
Written by
Tammie Byram Fowles, MSW, Ph.D.
While the role that the body plays in the
realm of emotions has been recognized in the West as far back as the
time of Freud, touching our client's bodies is strongly cautioned
against by many experts and strictly forbidden by others.
Why explore Bodywork? Perhaps it is the rebel
in me, a quest to learn of areas not deemed important enough or
credible enough to teach me in graduate school. Perhaps this
interest stems from the very same source that led me to experiment
with drugs as an adolescent. Maybe it originates from my need for
continuous expansion, exploration and growth.
In thinking back on my youth, I am reminded of
a card that a father sent to his grown daughter years ago. On the
front, the card depicts on the front, Santa Claus standing around a
pole with his reindeer. Santa points at the pole and warns the
reindeer not to stick their tongues on the pole. When you open the
card, you see all the reindeer huddled around the pole, glued to it
by their tongues. Santa is standing by with an all too recognizable
and yet indescribable look on his face. The father signed the card,
"Now I finally realize I have been blessed with reindeer
children." I have never forgotten that card or this father who
I've never met. Perhaps it is my own reindeer soul that calls me to
areas beyond traditional boundaries. What ever my motivation, it is
my belief that we must be open to learn as much as we can in order
to fully assist our clients. In rejecting only what I possess some
understanding of first, and recognizing that what works for one
individual can all too often fail another, I must then be prepared
to reach out in as many forms as I can to reach where I at times
must journey to. "Body work" may very well be one such
form.
Recently my daughter pulled some muscles in
her neck while ice-skating. She was lying in bed the next day with a
heating pad and asked, "Mommy, why does my neck hurt?" I
was busy putting away clothes and answered her somewhat
distractedly. "Because you hurt it, honey when you fell down,
you sprained muscles in your neck." "But why does it hurt,
mommy" she asked again. I stopped what I was doing and sat down
beside her. "Remember how I've told you that it is important to
take care of your body? Well, when something happens that isn't good
for your body it tells you by hurting. It's like your body's way of
talking to you, of crying for help and asking to be taken care
of." She looked up at me with pained eyes that contained just a
glimmer of hope and said, "If I take care of it right this
minute, does that mean it will stop hurting?"
A client shared with me that a friend and her
15-year-old daughter, Lindsay, were visiting one day. They were
sitting at the table catching up as they had not seen one another
since her friend's daughter was three years-old. Her daughter got up
from the table and was walking towards the bathroom, when all of the
sudden her body jerked violently, and she grabbed the radiator,
startling them all. My client asked what had happened, and she said
that she wasn't sure; she just felt as though she was going to fall.
Her mother then reminded them that when Lindsay was about 18 months
old; she had tripped over a toy and fallen headfirst into the
radiator. Her nose had been bloodied and her head badly bruised.
Lindsay had not been to my client's house since that time, as the
family had moved away, and she had no conscious memory of this.
Within the past few years, I have begun to
utilize bodywork when there seem to be no words or images available
to explain a client's feelings. I have been astounded on more then
one occasion by the information stored within the body. I have no
doubt that not only does the body send us messages, but that it also
remembers what we often consciously do not.
Anne Wilson Schaef, in Women's Reality (1981),
remarks that it is her belief that all therapists working with women
should either be skilled in bodywork (work with breathing and
tension in the body) or should work conjointly with someone who
does. She contends that we must learn how to facilitate the removal
of "body blocks" (tenseness, numbness, deadness, etc.) in
order to assist our clients to experience their feelings and work
with them constructively. Schaef found that in working with the
body's breathing and tension, the length of therapy could shorten.
MASSAGE
Joan Turner, in a chapter entitled, "Let
My Spirit Soar," from Healing Voices: Feminist Approaches to
Therapy with Women (1990), describes how she integrates "body
work" into psychotherapy focusing on the body while involving
the mind, spirit, and soul.
Turner believes that the entry point to the
body space and inner child is through the muscles. She uses a
technique of deep tissue therapeutic massage. With her hands, thumbs
and fingers, she focuses on the muscles that she describes as
"needful" (tight, sore, knotted, and numb). The muscles
respond by softening and relaxing, while the breath slows and
deepens. The body begins to feel lighter. It is at this point that
Turner believes awareness deepens. Turner proceeds to engage in
psychotherapy while continuing to work on her client's body. She
watches for signs from the body, responding to them, using them as
cues to explore a particular issue or utilize a specific technique.
She also calls the changes in the client's body to the client's
attention, and they discuss the meaning of these changes, what the
body is saying, what it needs, etc. Turner also utilizes journaling,
homework assignments, etc. in her work with clients.
A client of Turner’s, in writing about her
experience, reported that she has learned to perceive her body as a
messenger of "transformational images" that serve to
facilitate awareness and growth. She adds that she became aware of
her body as a teacher, as sacred, to be cared for, listened to, and
nurtured.
"Sensitive Massage" is a
personalized approach to healing which utilizes deep-breathing
techniques and internally directed body imagery. This technique is
very similar to Taylor's work although it is not necessarily used in
conjunction with psychotherapy.
Margaret Elke and Mel Risman (The Holistic
Health Handbook, edited by Berkeley Holistic Health Center, 1978)
describe the practitioner and client as functioning as a
"meditative duet" during a sensitive massage session.
Clients are urged to give over to what very often is a very sensual,
nurturing experience. Elke and Risman believe that, during this
process, clients may discover unconscious tensions, repressed
emotions, and memory recalls, in addition to new pleasurable
sensations. "Sensitive massage" often assists clients to
become more aware, grounded and appreciative of their bodies.
"Sensitive Massage" is recommended
for individuals who are in need of nurturing touch, who need to
learn how to relax, who need to accept their sensuality, and who
need to learn from their body language.
REFLEXOLOGY
Reflexology refers for the most part, to the
stimulation of reflex points on the feet and hands, although there
are many other usable reflex points throughout the body.
There are many theories as to how Reflexology
works. Explanations range from: energy points along the meridian
lines are activated by reflexology; to each of the 72,000 nerve
endings on each foot connects to a different body area. When the
particular zone of the foot that is connected to it gets stimulated,
the corresponding body area responds.
Lew Connor and Linda Mckim (The Holistic
Health Handbook, edited by Berkeley Holistic Health Center, 1978)
propose that Reflexology can assist the body by relaxing it and
stimulating the blocked nerve endings, thus stimulating sluggish
glands and organs to regain their normal functioning. Used
frequently, maintain the authors, Reflexology can provide the body
with a general toning to enhance vitality and one's sense of well
being.
While I have a minimal understanding of
Reflexology, I have found that providing foot massages while doing
relaxation, hypnotherapy, and visualization have often been very
helpful in my work. I believe the benefits stem from a number of
sources, such as: (1) Foot massage enhances my client's ability to
relax and serves very often to deepen the trance state; (2) It
provides clients with an opportunity to be nurtured, thus increasing
feelings of well-being, trust, and feeling cared for; (3) It is less
invasive than massaging other areas of the body of which victims of
sexual abuse in particular, are more protective; (4) It is less time
consuming than doing a total body massage, and yet produces the
desired effect of promoting relaxation; (5) feet are one of the most
abused and neglected parts of the body; and (6) women often carry a
lot of shame and embarrassment about their feet. Thus, it is a part
of the body that particularly benefits from being cared for,
caressed, and attended to.
When performing a foot massage, the office is
scented, soft music is playing, in addition to the sound of my water
fountain trickling in the background. I provide the client with a
comfortable eye pillow, if she wishes to use one, and a soft
blanket. Then I make sure her spine is straight and a pillow
supports her knees so that her legs are not locked straight. I use
massage oil or lavender-scented lotion, providing my client is not
allergic to either, and place her feet on a very soft furry piece of
material. I ask her to begin by breathing deeply, in through her
nose and out through her mouth, imagining that as she breathes in,
she is breathing in peace, and as she breathes out she is breathing
away all worries, tensions and cares. I also ask her once she is
settled into her breathing to imagine a safe and peaceful place. I
inform her that the place can be real or she can create one -or she
can modify an existing place to more perfectly meet her needs. Next,
I begin with one foot at a time by rubbing, stroking, massaging and
kneading it. Once I have massaged each foot each for a minute or
two, I proceed into visualization or hypnotherapy work while
continuing the massage. I suggest that the client direct her
breathing into the areas I am massaging first, and then instruct her
to direct her breathing progressively into other parts of her body.
As I begin to request her to direct her
breathing into the areas I am massaging, I start just below the ball
of her foot, about in the center. I take each of her feet in both
hands, place my thumbs in the crevice-like area and slowly begin to
apply pressure. Most of my massage movements are done with my thumbs
moving them in a forward motion. The next area I concentrate on is
the toe area, going from the toes down the foot from the outside to
the inside. I switch from one foot to the other here, massaging the
same area on both feet before moving to the next. I shift to the top
of the feet, working again between the toes and finish by gently
stroking the undersides of feet. Once I have completed the foot
massage, if I am continuing with the hypnotherapy or visualization,
I place a heated pad under the feet in order to continue providing
the feet with a feeling of comfort while I complete my work.
REICHIAN THERAPY
Reichian therapy is based on the work of
Wilhelm Reich who I feel compelled to add died in prison as a result
of his highly controversial work with an invention he described as
an "orgone accumulator." While many thought him mad by the
time of his death, others were inspired to continue certain aspects
of his work. Reich proposed among other things that neurotic
character structure and repressed emotions are actually
physiologically rooted in chronic muscle spasms. Each emotion
involves an impulse to action. For example, sadness is a feeling
that involves an impulse to cry, which is a physical event involving
a certain kind of convulsive breathing, vocalizations, tearing, and
facial expressions in addition to effecting the limbs. If the urge
to cry is suppressed, the convulsive muscular impulses have to be
suppressed by means of a conscious effort of holding or stiffening.
One must also hold one's breath thus not only suppressing the sobs
but also lowering the energy level by decreasing oxygen intake.
If the muscular holding becomes habitual
points out Richard Hoff, (The Holistic Health Handbook, 1978) it
turns into chronic spastic contractions of the musculature. These
spasms become automatic and unconscious and cannot be voluntarily
relaxed even in sleep. The long forgotten memories and feelings,
while lying dormant, remain intact in the form of frozen impulses to
action in the muscles. The totality of these chronic muscle spasms
constitute what Reich termed "muscular armoring".
"Muscular armoring" serves to defend individuals against
both external and internal impulses. "Muscular armoring"
is the physical aspect of our defenses, while character armoring is
the psychical. These two defense mechanisms are inseparable.
Reich developed a variety of techniques for
dissolving the muscular armoring, including:
1) Deep massage of spastic areas, especially
while having the client breath deeply and expressing the pain with
his or her voice, facial expression, and when appropriate, his or
her body. Reich believed this to be a powerful route to the
unconscious. Occasionally, maintains Hoffman, pressure on a single
muscle spasm will produce a spontaneous outburst of repressed
emotion, with a specific memory of a forgotten traumatic event.
2) Deep breathing, which according to Hoffman,
may produce energy streamings, prickling or tingling sensations,
spasms, tremors or spontaneous emotional releases.
3) Pushing down on the chest while the client
exhales or screams is thought by Reichians to assist in loosening up
energy blocks.
4) Work with facial expressions in order to
assist in unblocking emotions since the face is a major organ of
emotional expression.
5) Work with the gag reflex, yawning, the
cough reflex and other convulsive reflexes tends to break down rigid
armoring, according to Hoffman.
6) Maintaining "stress positions",
particularly while engaging in deep breathing and expressing pain
with one's voice and face, are said to loosen armor by stretching
it, inducing tremors, irritating it and tiring it.
7) Active "bioenergetic" movements,
such as stamping, pounding, kicking, tantrums, reaching out, shaking
the head, shoulders, or other body parts. It is stressed that these
movements should be accompanied by full breathing and appropriate
sounds and facial expressions. Done over a period of time, Hoffman
states that these movements tend to break down inhibitions and
liberate genuine feeling.
Reichian bodywork is methodical; there is a
definite order to it. Its fundamental law is to start with the most
superficial defenses and work gradually into the deeper layers at a
rate that the client can tolerate.
ROLFING
In his book, Hymns to An Unknown God, (1994),
Sam Keen describes his experiences with bodywork. During his days as
a reporter for Psychology Today, Keen submitted himself as a guinea
pig in order to investigate Rolfing (structural integration) at the
Esalen Institute. Rolfing involves manipulation of the connective
tissue of all the major muscle groups in the body and is often very
uncomfortable in the beginning.
When Ida Rolf began working on Keen's chest
with her fingers, fists, and elbows, Keen reports that he felt
himself begin to panic as it "hurt like hell." He later
learned that the chronic tension in the muscles of his chest had
formed a defensive armor that was physically, emotionally, and
spiritually limiting. However, as he was not aware of this at the
time, the first hour was an ordeal that led him to curse, moan, and
wish for salvation. Once the trauma of the first hour gave way, Keen
recalls that slight and yet unmistakable changes began to appear in
his posture and stance in life. He noted that his leg muscles seemed
freshly lubricated, allowing him freer movement and that his feet
made more substantial contact with the ground. Encouraged by these
observations he opted to continue with the process.
"…With my release from this and other
long-held psychosomatic-spiritual defense systems, I experienced a
new openness, ease, and expansiveness. My body became looser, as did
my mind…There were other changes…Most important, I gained a
direct sensuous and kinesthetic awareness of my total body."
YOGA
Yoga is an ancient Indian practice that is a
way of life versus a series of body postures. The literal meaning of
the term yoga is "union". Renee Taylor, in his book, The
Hunza-Yoga Way to Health And Longer Life, (1969), maintains that
Yoga is a means of controlling one's thinking and moods, stating
that:
"Yoga is an ancient yet still unsurpassed
science of living. In Yoga, relaxation is an art, breathing a
science, and mental control a means of harmonizing body, mind, and
spirit."
Yoga utilizes such methods as deep rhythmic
breathing, physical postures that serve to tone and strengthen
various body parts, promote calmness, increase circulation, and
includes relaxation methods and vocal and concentration exercises.
While my knowledge of Yoga is limited, I often
suggest that clients consider attending a Yoga class. It has been my
experience that our progress is enhanced by their participation in
Yoga. I have been particularly impressed by the positive impact of
Yoga on clients whom I have worked with in the past suffering from
anxiety, depression, and eating disorders.
THE RUBENFELD METHOD
Ilana Rubenfeld, a former professional
musician turned bodywork counselor/teacher, has led over 800
workshops, presented at hundreds of conferences, and has established
a center in New York where she offers a three year training program.
She also serves on the faculties of New York University Continuing
Education and the Graduate School of Social Work, the Open Center in
New York, the Omega Institute, and has served on the faculty of the
Eslan Institute for over 20 years.
Rubenfeld perceives every human being as a
unique psychophysical pattern, possessing a distinct emotional
agenda with an expression of its very own. According to Rubenfeld,
the body serves as a functional metaphor and practical tool for
reaching hidden levels of discord and revealing them to the client's
awareness. The Rubenfeld practitioner assists the client to re-enter
the original experience of an intense emotional event, rather than
search out reasons for stress and disease. This is accomplished
through subtle touch and nonintrusive collaboration with the client,
where the practitioner intuitively helps to unleash negative
emotions and guides the individual's inborn self-healing abilities.
"Disease is but a message revealing a more subtle, inner
message," claims Rubenfeld.
It is by using both real and imagined
movement, in addition to intentional touch of the practitioner with
the client's consent, that subtle changes take place in the nervous
system, whereby deeper levels of meaning and emotion become more
accessible over time.
Rubenfeld stresses the importance of the
client taking the physical aspects of life into account by caring
for the body. Her primary goal is to help individuals become their
own therapists by assisting them to learn how to more effectively
release and resolve emotions in everyday life. Rubenfeld maintains
that once we learn to focus our awareness, we are able to more
spontaneously modify habitual behaviors, as well as release and
access stored memories.
BIOENERGETICS
Edward W. L. Smith, who was influenced greatly
by the work of Wilhelm Reich and Frederick Perls, wrote, The Body in
Psychotherapy (1985). In his book, Smith describes techniques he
believes facilitates body awareness in his clients. In utilizing
these techniques, the therapist offers some relatively simple
instructions, while the client's task is to direct attention and
allow awareness to develop. This awareness provides the client and
therapist with information regarding areas of the client's body of
"diminished aliveness" or "blocks in the flow of that
aliveness." Body awareness exercises also assist the client in
taking a more active role in therapy, according to Smith, as it
mobilizes him or her to take responsibility as the client is the
ultimate source of information on him or herself in the therapy. The
most important advantage perhaps to body awareness work says Smith,
is that it can locate the precise locus for a body technique. The
spot of tension or zone of heat provides the therapist with a map of
the client's energy blocks and status.
There are several body phenomena which are
looked for in body awareness work. Among such phenomena are hot
spots, cold spots, tension, pain, numbness, paresthesias (prickling
or tingling of the skin), vibrations and energy streamings.
Hot spots are areas on the surface of the skin
which feel hot relative to surrounding areas. These
"spots," according to Smith, may represent an area where
energy has accumulated because of the individual's charging then
holding energy in the hot area of the body, and thus not allowing it
to be processed or discharged. Cold spots, on the other hand, Smith
suggests, are areas on the body from which energy has been
withdrawn, resulting in these areas being "deadened".
Smith hypothesizes that these cold spots result from an individual's
withdrawal of energy from an area which is held from full aliveness
in order to protect the individual from some threat. "Going
dead", says Smith, is a means of avoiding the aliveness which
is forbidden by the unhealthy "introject" operating in the
individual's dynamics. Smith asserts that this interpretation of hot
spots appears to be clinically supported in the case, even of
Raynaud's disease, a disease involving the constriction of blood
vessels causing impaired circulation in the hands, feet, nose and
ears.
Smith cites biofeedback literature providing
evidence of the ability of individuals to learn voluntary control of
skin temperature, pointing out that this very mechanism could
operate on an unconscious level. Further, he refers to our
"lived language" in support for attributing
psychobiological meaning to hot and cold spots. For instance, when
explaining a potential bride or groom's emerging hesitancy to go
through with the wedding, the term, "cold feet" is often
used. Other such terms are "the cold shoulder", hot
headed", "hot under the collar", etc.
Smith views tension as the direct subjective
experience of body armor.
"Where one feels tense is where one is
contracting a muscle or group of muscles to avoid the flow of a
contact/withdrawal cycle.
If tension is strong enough and long enough in
duration, pain is experienced; often, tension and pain are
experienced together.
Numbness follows from nerve pressure which
results from tension. With muscle tension in certain areas, pressure
is put on nerves resulting in a numbing or "going dead."
Numbness is often accompanied by cold, since the tension may also be
interfering with blood flow.
When a "deadened" area (cold and/or
numb) begins to come back to life, there may be prickly feelings,
tingling, or a creeping on the skin. These paresthesias are a note
of optimism, in a sense. They indicate that the immediate crisis
with the toxic introject is passed.
Reich used the term "streamings" to
describe the deep current-like sensations which run up and down the
body shortly before orgasm. To a lesser degree streamings may be
experienced by relatively unarmored persons during very deep
breathing. Streamings, then, can be taken as an indication that the
body armor has largely dissolved and that the orgone (energy
produced and expanded in homeostatic cycles) has begun flowing
freely.
Before streaming of orgone is possible, there
must be an increasing of the vibratory state of the body. As Lowen
and Lowen (1977) have written, vibration is the key to aliveness.
The healthy body is in a constant state of vibration, due to the
energetic charge in the musculature. A lack of vibration can be
taken to mean that the bioenergetic charge is greatly reduced or
even absent. The quality of vibration gives some indication of the
degree of musculature armoring.
Inviting clients to spend time, look inside,
and note happenings in his or her body, is a step toward ending
client's body alienation according to Smith. In offering the
invitation of awareness, Smith advises that the therapist take his
or her time in order to find appropriate pace and phrasing for the
client. It is very important not to rush the client in this process.
Smith also uses the exaggeration of a body
action in order to facilitate body awareness, and points out that
clients frequently make mini-movements or partial movements which
suggests the action that follows from a present emotion. When Smith
calls attention to the diminished movement, it is his experience
that clients tend to report they are either unaware of the action or
unclear about its meaning. It is Smith's opinion that in these
situations, this "slip of the body" is an extended
expression of the prohibited or repressed emotion. Smith contends
that in inviting the client to repeat the diminished action in
exaggerated form, the meaning often becomes obvious.
The information obtained via body awareness
exercises is thought by Smith to be valuable to the therapist by
identifying access points for therapeutic interventions, as well as
to the client by contributing to his or her self-awareness.
Smith describes techniques of
psychotherapeutic body interventions that are gentle and allow
experiences to happen rather than being forceful as "soft"
techniques.
One such very gentle technique involves
inviting the client to assume a particular body posture which is
paradigmatic of a particular emotion. By assuming this posture, the
client may be able to recognize a blocked emotion. Postures
generally stem from the therapist's intuition and vary from one
client and emotion to another. However, there are certain common
postures that Smith frequently uses, including: (1) The fetal
posture, (2) the reaching posture, and (3) the spread eagle posture.
The fetal posture involves having the client
lie down or sit and assume a fetal position. This posture is often
associated with feeling safe and alone. The reaching posture
requires that the individual lie down on his or her back with arms
extended up, reaching out towards someone. This posture, says Smith,
may induce a feeling of neediness; if held for a time, a feeling of
abandonment or of a hopelessness may result. When utilizing the
spread eagle posture, the client is asked to lie down with legs and
arms spread out. This posture typically evokes feelings of
vulnerability and insecurity and can be particularly effective with
individuals who feel vulnerable and threatened and who may become
aware of these feelings when in this posture.
If Smith observes that a client is holding a
body part in a particular way, he sometimes rearranges the holding
pattern and asks the client what the new position feels like. To
facilitate this awareness, Smith may request that the client go back
and forth between the two postures in order to more readily compare
the two. An example of the use of this method in my own practice
comes to mind. In working with a young woman who had a very
difficult time talking about her abuse, I noticed that she
frequently kept her arms close to her chest and fingers closed as if
she were holding on very tightly to something. I asked her to open
her hands and extend her arms out and away from her body. I then
asked her to go back and forth between these two postures and
compare the two. The client was able to talk about the feelings
associated with both postures more fully.
Another "soft" technique utilized by
Smith involves utilizing postures to evoke desired ego states. Smith
believes that the desired ego state can be supported and facilitated
by the posture assumed. For instance, Smith correlates the standing
position with the parent ego state, the sitting position with the
adult, and lying down with the child ego state. From time to time
Smith has suggested a particular posture to a client who may be
having difficulty staying in or entering a particular ego state.
Touching can be a form of bodywork. For
instance, the therapist might touch a client to indicate caring and
support. A therapist may also deliberately place his or her hands on
the part of the client's body where some feeling is being inhibited
or blocked. Smith reports that he might touch a client where an
unusual body phenomenon is occurring and then say something such as
"Just let go and breathe. Just feel my touch and allow whatever
needs to happen, happen. Just notice your body sensations."
Smith finds that skin to skin contact tends to be much more
effective, although he maintains a respect for individual comfort
level with such contact. I think it is important to note that
survivors of sexual abuse may find skin to skin contact highly
threatening and I myself approach the touching of clients with
extreme caution.
Light and immobile touch is also often
utilized in bodywork. When using such touch, the client is often
asked to lie down and the therapist gently places his or her hands
on areas of the body which may be armored or blocked. Places on the
body where such contact is often made by Smith include: (1) lower
abdomen; (2) upper abdomen; (3) back of the neck; and (4) center of
the chest. Such touch is held until some response occurs. Smith
often touches more than one area simultaneously. I have found the
throat to be an important body area to touch when working with
repressed or "silenced" material.
Utilizing breathing is a common technique of
bodywork. Smith points out that because breathing provides the
source of oxygen for metabolism, inadequate or insufficient
breathing reduces vitality leading to such complaints as exhaustion,
fatigue, tension, irritability, coldness, depression and lethargy.
If such a breathing style becomes chronic, then arterioles may
become constricted and the red blood cell count can drop, cautions
Smith.
It is the task of the therapist, states Smith
in addressing a client's breathing pattern, to teach the client to
breathe deeply and fully with their whole body. Normally, this
begins with calling the client's attention to the times that he or
she is holding his or her breath or has decreased the rate and depth
of his or her breathing significantly. It is not uncommon for a
client to need to be reminded to "breathe" repeatedly
during a single session.
One method of instructing a client to breathe
fully involves placing one hand upon the client's midchest and the
other upon the client's upper abdomen. The client is then instructed
to lift the therapist's hands while breathing and then let them
fall, thus contracting and expanding both the chest and abdomen. I
ask that the client use his or her own hands vs. placing mine on the
client's abdomen. Once again, I feel it necessary to caution against
violating the client’s personal boundaries.
According to Smith, stretching of tight places
in the body helps to induce aliveness. While the client is
stretching one body part and then the other, the therapist invites
the client to share any memories or emotional reactions while
stretching.
Smith defines "Hard" techniques as
those interventions which are neither gentle nor subtle, but instead
are uncomfortable, at times painful, and often dramatic. Smith
cautions that these techniques require considerable judgment and
care, otherwise they may induce highly traumatic experiences for the
client.
Often, preliminary work engaged in before
utilizing "hard" techniques involves grounding the client
(developing the ability to be self-supported or self-contained). The
use of such stress postures as the bow, the one-legged stance, lying
with the legs in the air, and wall sitting can be useful first steps
in facilitating grounding. The client shifts all his or her weight
to one leg, bends the knee, and extends the other leg with the heel
only slightly touching the floor when assuming the one legged
stance. The straight leg is used only for balance in this stance.
When the client experiences vibrations in the stressed leg, the
client reverses the position. When engaged in the wall-sitting
stance, the client takes a seated position with his or her back
against the wall, with thighs parallel to the floor, without benefit
of a chair. The client is instructed not to brace his or her arms
against the thighs for support. The client remains in this stance
until the vibrations in the legs can be felt. With all of the stress
postures, deep breathing through the mouth and vocalized exhalations
are encouraged. Each of these stances assists the client in
experiencing him or herself in contact with the ground.
Using deep pressure on spastic muscles is a
common technique used by many therapists who engage in bodywork.
Typically, the therapist mobilizes the client's breathing and then
works on the armored muscles by applying deep pressure or deep
muscle massage.
Alexander Lowen, author of Pleasure: A
Creative Approach to Life, describes the principles and practices of
bioenergetic therapy as based on "...the functional identity of
the mind and the body. This means that any real change in a person's
thinking and, therefore, in his behavior and feeling, is conditioned
upon a change in the functioning of his body."
RELEASING THE ENERGY OF THE
BODIES STORED PAIN
For centuries healers around the world have
been aware of the human body's energy field. Because most of us are
unable to see this energy field with our eyes, we have tended to
ignore it. Yet each of us have experienced it. Whenever you have
entered a room and sensed the tension between individuals who are in
distress or who have been arguing, you have experienced their energy
field. When you sense the presence of another before seeing them,
you have tapped into his/her energy field. We are constantly
emitting and receiving energy. Wayne Kristberg, author of The
Invisible Wound: A New Approach To Healing Childhood Sexual Abuse,
provides an example of how this energy field can be demonstrated. He
suggests that an individual close his/her eyes and hold their hands
over their ears; while a friend slowly begins to approach from
approximately ten feet away. Typically, the individual will sense
the energy of the friend before the friend is standing within a foot
away. This is because the friend has entered the individual's energy
field. The energy field extends not only outward from one's body,
but also permeates the body completely; absorbed in each atom and
cell. It is within the bodies' energy system, that the body holds
the memories of one's past experiences, including the memory of
sexual and physical abuse.
According to Kristberg, the trauma and pain of
sexual abuse is centralized and stored in the pelvic area. When an
individual undergoes recovery work to externalize or release the
stored pain, a sensation of emptiness in the pelvic region may be
experienced as a tingling sensation, a sense of relaxation or of
lightness in this area. After undergoing intense emotional release
work, most survivors feel significant relief. Kristberg contends
that it is important to then focus awareness and direct healing
energy into the now "empty place" in order to maximize
healing. If one does not guide healing energy into the wound, once
emotional release work is completed, Kristberg warns that the
"energy hole" will reestablish the previous pattern of
held pain. This is due to the fact that the body has become
accustomed to carrying the energy pattern associated with the held
pain. If a new energy pattern is not introduced after the pain is
released, the original pattern of pain will reemerge.
Held pain can be externalized by a number of
means, including bodywork, shouting, screaming, etc. While this
release is occurring, the held energy is being pushed out and away
from the body. During this process, Kristberg recommends that the
individual doing the work should find a position that is most
effective for letting out the emotional energy. As the emotions
related to the trauma begin to be released, initial feelings of
terror, intense fear, grief, or anger may be experienced. The body
may begin to tremble or shake, or one might begin to yell or scream.
Energy tends to be manifested in two primary
forms reports Kristberg: toxic energy and healing energy. Toxic
energy consists of energy that has been held in or repressed, and
often includes unexpressed anger, terror, grief, loss, rage, guilt,
shame, etc. Once this energy is released it becomes
"nontoxic." Healing energy, on the other hand, flows
freely and is unrepressed. It is often experienced as feelings of
peace, contentment, happiness, joy, etc. When healing energy is
directed into the wound, Kristberg advises his clients to visualize
the energy in the form of a color or image that represents healing
to them.
BIOFEEDBACK
Biofeedback provides us with an opportunity to
demonstrate the connections between an individual's psychological
and physiological activity. Biofeedback instruments offer an
immediate and objective source of information to the client and
practitioner regarding the client's mind/body interaction. The
physiological effects of such emotions as fear, anger, etc. can be
demonstrated to the client, and psychosomatic disorders can be more
concretely explained.
Biofeedback, as well as meditative practices,
emphasizes the importance of attaining a state of relaxation in
order to facilitate the achievement of insight and growth. It is
also the goal of both practices to develop a state of harmony
between the mind and body.
Biofeedback as explained by Kenneth Pelletier
is based on three basic principles:
1) An individual can regulate any
neurophysiological or biological function which can be monitored and
amplified by electronic instrumentation, and then fed back to the
individual through any one of the five senses.
2) Every change in an individual's
physiological state is accompanied by a corresponding change in the
mental emotional state, whether it be conscious or unconscious.
Every change in the mental emotional state, conscious or unconscious
produces a change in the physiological state.
3) A deep state of relaxation is conducive to
the establishment of voluntary control of many autonomic or
involuntarily nervous system functions, such as heart rate, brain
waves, muscle tension, body temperature, white blood cell levels and
stomach-acidity.
Biofeedback is described by Pelletier as one
of the many approaches which places responsibility for health, well
being and even personal growth upon the individual. When utilizing
biofeedback with a client, the therapist can demonstrate the
tremendous influence one can have over one's body processes, thus
empowering the individual.
In working with individual's suffering from
anxiety, phobias and panic disorder, I often now use a small hand
held biofeedback monitor which measures galvanic skin resistance,
which is a reflection of sweat gland activity and pore size. When an
individual becomes disturbed or aroused to any extent, the monitor
emits a high pitched buzz tone; when calm and relaxed, the tone is
transformed into a slow popping sound. This is an extremely
primitive machine and tremendously inferior to the more advanced
instruments utilized in biofeedback. It does, however, demonstrate
to clients how their emotions and thoughts impact their body
functioning. I have found it to be extremely useful in instructing
clients in the importance of utilizing relaxation techniques in
order to alleviate anxiety, as well as other stress related
disturbances. I am finding biofeedback particularly helpful in my
work with victims of Post Traumatic Stress Syndrome.
While bodywork remains an area that I am just
now beginning to learn about and utilize, I am convinced that one
must not neglect the body in endeavors to reach matters of the mind,
for they are too often interwoven.
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